With a height of 5 feet 4¾ inches, Sara Waisglass is both noticeably smaller than many of her co-stars and comfortably in the middle of the Canadian actresses’ range. Her on-screen presence has been surprisingly impacted by this seemingly insignificant detail, especially in ensemble scenes where camera angles and framing play subtle yet significant roles. Sara looks noticeably taller in most shots than Katie Douglas, who is 1.52 m, or Antonia Gentry, who is 1.55 m. This gives her an unmissable energy, particularly in scenes that are packed with emotional weight.
Sara’s 1.65-meter stature is remarkably balanced by television standards, where actors’ visual chemistry is frequently determined by their height. She fills the void between taller actors and smaller co-stars by standing next to Raymond Ablack (1.83 m) or Brianne Howey (1.68 m). Her portrayal of Maxine Baker on shows like Ginny & Georgia has been particularly successful because it is lively and grounded, and it is enhanced by a physicality that is both commanding and approachable.
Sara’s height has become a topic of conversation in recent years, especially after fan images surfaced of her competing with other celebrities at promotional events. She was characterized as “surprisingly tall” in a Reddit thread from spring 2025 that compared the heights of Degrassi alumni. This sentiment was shared by several fans who anticipated someone much smaller given her animated depictions of adolescent characters.
Table: Sara Waisglass – Key Details
Attribute | Details |
---|---|
Full Name | Sara Waisglass |
Date of Birth | July 3, 1998 |
Age | 27 (as of 2025) |
Birthplace | Toronto, Ontario, Canada |
Height | 5′ 4¾″ (1.65 m) |
Weight | 52 kg (114.4 lbs) |
Notable Roles | Frankie Hollingsworth (Degrassi), Maxine Baker (Ginny & Georgia) |
Education | York University – Degree in Screenwriting |
Ethnicity | Jewish |
Siblings | Carly Waisglass |
Career Start | 2007 |
Sara Waisglass Instagram | |
IMDb Profile | Sara Waisglass on IMDb |

It’s interesting to note that Sara’s height closely resembles the archetype of what casting directors now refer to as the “versatile height” range—five-foot-three to five-foot-six actors who can be positioned and filmed to appear either taller or shorter, depending on the demands of the scene. This has made it possible for Sara to switch between parts with remarkably different moods, such as the serious undertones of Mary Goes Round and the humorous chaos of Ginny & Georgia. In this situation, her size serves as both a physical and a cinematic advantage.
The contrast with co-stars in genre-diverse productions is what further contextualizes her height. Sara’s youthful appearance was emphasized by her size in Suits, where she played Teen Esther in front of a line of sharply dressed legal titans. This further reinforced the emotional innocence that her character embodied. However, in the supernatural drama October Faction, she subtly reaffirmed Madison St. Claire’s inner strength by standing her ground both emotionally and physically in the face of tall male actors.
From a societal standpoint, Sara’s height helps to change how viewers view strength and femininity in films. Hollywood used to favor statuesque female leads, but this trend has been significantly weakened by the emergence of actors under 5’6″ like Sara, Antonia Gentry, and Florence Pugh who play roles full of complexity and authority. By challenging established visual conventions and depending on character depth rather than imposing silhouettes to create impact, these women are especially inventive.
Her choice for Ginny & Georgia on Netflix also reflects a shift in character aesthetics, where power dynamics are no longer determined by height. Rather, screen presence and emotional nuance have become more crucial. Sara provides a noticeably better portrayal of a contemporary adolescent—one who is socially conscious, emotionally complex, and physically real—through Maxine. This honesty appeals to viewers who are looking for relatability because there is no attempt to exaggerate her height with costume or camera tricks.
In interviews, Sara is frequently seated or tightly framed off-screen, a subtle production decision that draws attention to her facial expressions and speech delivery rather than her physical attributes. By doing this, she stays remarkably versatile across genres, from psychological thrillers to teen dramas, and avoids being visually typecast. Through careful creative direction and strategic casting, she keeps gaining traction as a serious performer whose height is just what it is—it’s neither a selling point nor a limitation.
Surprisingly, this subdued assurance about her looks contrasts with the way height is frequently covered by the Hollywood press. Sara has maintained her consistent height of 5’4″, which has been confirmed by numerous reliable sources, such as IMDb and CelebHeights, while some actors make a concerted effort to appear an inch or two taller in bios. Her straightforwardness is especially admirable in a world full of carefully constructed illusions.
Looking ahead, Sara’s measured stature continues to work well as Ginny & Georgia enters its third season and new roles in independent films and streaming projects become available. She represents the ideal balance between presence and adaptability—she is neither small nor tall. Like her talent, her height is a perfect fit in an industry that is increasingly valuing authenticity.
Sara’s range is refreshingly wide in contrast to former co-stars like Raymond Ablack (6’0″) and even the slightly taller Brianne Howey (5’6″), who frequently fit into more narrowly defined character types. Her chances of getting cast in everything from sophisticated adult films to adolescent ensemble dramas have significantly increased as a result.
Her physicality also has an emotional undertone, particularly when compared to her younger co-stars. She has said in interviews that she feels “fierce and grounded,” two terms that fans commonly use on social media. She has demonstrated through deliberate casting that presence, clarity, and intention are all that are needed to make an impact on screen rather than physical dominance.